Archive for ‘ACADEMIC’

June 23, 2017

RE-MORPHING THE AMORPHOUS. CREATING NEW URBAN SUBSTANCE | 2016-2017

by yannis zavoleas

19_figure 1

Nanoscopic re-crystallisation patterns, nanoparticles in structural biology

KINE[SIS]TEM’17 From Nature to Architectural Matter

19-20 JUNE 2017, ISCTE-IUL, Lisbon Portugal

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Master’s Design Studio, The University of Newcastle, Australia

Course Coordinator: Yannis Zavoleas

Advisor: Mark Taylor

Semester 2, 2016

Description

Design is viewed as a dynamic process whereby “amorphous” situations of the urban context are processed towards some kind of “re-morphing.” Metaphors from geology and biology are borrowed as an asset of references, concepts, ideas, modes of organisation, tools and techniques, aiding to develop strategies and propositions that are meaningful in architecture and the urban environment.

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October 9, 2016

GRAPHICAL ANALYSIS | INTRODUCTION TO DIGITAL MEDIA | 2016

by yannis zavoleas

Undergraduate course, 1st year 2nd semester, The University of Newcastle, Australia

Course Coordinator: Yannis Zavoleas

Tutorial Supervisors: Yannis Zavoleas, Peter Stevens

Tutors: Shalini Gandhi, Anni Dosen, Darin Phare, Tim Burke, Katie Cadman, Tafara Mbara, Mark Spence, Josephine Vaughan, Louise Fischer

This project introduces graphical and textual ways for analysing architectural drawings, reduced to a set of conventions. Pixel-based digital techniques are employed to describe, isolate, extract and process data. Analysis assumes strong interpretive skills. It may call upon formal/scientific means such as diagrams, abstractions and other graphics to explain how different elements are being related and to create variations.

September 20, 2016

FOLDING EXPERIMENTS & MINIMUM STRUCTURES | MAY 2016

by yannis zavoleas

Undergraduate Course, 1st year 1st semester, The University of Newcastle, Australia

Credits (photo, left to right): Middle Row: Shane Man, Claudia Smith, Mat Percival, Yannis Zavoleas (tutor), Sammy Bailey, Liam Dwyer, Denise Hughes, Grazela Maria. Back Row: Desslene Whong. Front Row: Lachlan Dear, Seamus Cahill (absent: Justin Friemann).

Tutor: Yannis Zavoleas. Course Coordinator: John Roberts

This two-week project involves experimentation with folding techniques, as the results are mounted at an installation made of bamboo sticks and a rope. The students were asked to work in a group with their tutor and suggest a structure connecting the forest and the water at Glenrock Lagoon, south of Newcastle, Australia. It was decided that the installation would suspend from the ground and that the folded pieces would be attached to a 3D-wire structure, so that the whole would suggest a version of the sky with artificial clouds, or an organic-like gigantic spiderweb with bugs trapped onto it, as both ideas represent the surrounding nature. Through this approach, the students would become familiar with space-generating folding techniques, also with the behavior and performance of minimum-weight structures, by resolving the difficult problem to efficiently connect together and to sustain from trees the structure including the pieces mounted onto it.

December 4, 2014

MUTANT BODY DESIGN STUDIO | 2014

by yannis zavoleas

Master’s Course, The University of Newcastle, Australia

Course Coordinator: Yannis Zavoleas

tanker_cut_small

This studio aims to expand the body’s performative behaviours as these are manifested in its structure and logic, also in its relations among the parts and the metabolic functions directing its form. A found body is scrutinized through processes of analysis and then it is given new meanings through a series of transformations aiming to tie it to a new context. Analysis involves tracing literal and metaphorical meanings about the body, as these are later used as semantic tools to define architectural space and form. The list of references includes – but not limited to – behaviours associated with the body such as structure, symbiosis, prosthetics, trauma, deformation, anatomy, skin, covering/revealing, flows and actions.

Found Body Vs. Mutant Body

A found body is viewed as a weak topology whose inherent properties are rediscovered and reenacted, in so doing showing multiple potentials for rejoining with a new context. The body is an organic entity that constantly adapts to its environment for its survival. Adaptation involves dynamic exchanges between the body and its environment, expressed in the form of energy transformation and negotiation of different systems sharing the same resources. Due to adaptation, the body is constantly subject to mutation causing the emergence of new species.

The mutant body talks about systems whose overall characteristics and behaviour are addressed in relation to internal processes as well as to the environment. Systems, geometric shapes, patterns and other typological references may be viewed as dynamic entities. Mutation aids to understand the properties of architectural space as changing values that reflect upon different scenarios, described by relational rules. Properties become variants holding the body’s propensity to initiate coalitions, hybridizations and unprecedented mixtures. As with the organisms, the principles of form may be codified into a DNA-like code. Architecture’s code is set in response to multitude factors, causing structural transformations, mixed-use programs, typological variations and associations at different scales. Implementation, adaptation, local alterations due to changing conditions, all of these may be viewed as outcomes of negotiation between architectural species and their environment. An understanding of architecture as a mutant body helps to break from unnecessary preconceptions, in an attempt to reconcile between its generative causes and the final form.

January 10, 2014

SPECIAL TOPICS | QUEST ON STRUCTURES

by yannis zavoleas

8th semester

Instructor: Yannis Zavoleas

Theme subject: Systemic approaches in architectural design. Archetypical schemas and their transference to space

Short Description

In the research framework outlined by a systematic understanding of space design, the course focuses on an analysis of archetypical schemas coined in the modern and the late modern era. Archetypes with reference to the grid, also to linear arrangements and their derivatives such as the web, the mat and the matrix, were developed as schematic interpretations of verbal descriptions about space, being descriptive of its structure. The related quest has evolved over the last twenty years. Advanced archetypical systems have been generated, whose nominative characteristics respond to contemporary issues about architectural design, also to a variety of conditions and qualities describing space, including the relationships among its units.

In reflection of the above, new archetypical alternatives are investigated over the course. As a general observation, there is a shift of interest concerning design methodologies. Specifically, an interest in preset typologies describing space would give way to a quest of its inner logic, stemming from the interaction among the parameters about an architectural project, thereby bridging the gap between analysis and synthesis.

June 23, 2012

CODE SPECIES | ADVANCED ARCHITECTURAL STUDIO | UNIVERSITY OF PATRAS | SPRING 2012

by yannis zavoleas

Advanced use of parametric methods using Maya MEL
Tutors: Yannis Zavoleas, Vassilis Stroumpakos
8th semester, School of Architecture, University of Patras

More info at http://codespecies.wordpress.com

February 8, 2012

ADVANCED TOPICS IN ARCHITECTURAL DESIGN | PATRAS | 2012

by yannis zavoleas

VERSIONS OF THE ORGANIC | FINAL PRESENTATION

Thursday, February 09, 14:00 – 17:00

Wooden Amphitheater | School of Architecture | University of Patras

Short Description

Structural adaptations of the organic in architectural design. The notion of the organic is approached in various ways, for example in response to the relationship between building and landscape (urban – natural), also among the the elements making up the whole and the parameters of the program. Architectural design is approached as a multi-faceted problem, being rephrased to its resolution.

The studio proposes the following studio themes:

Artificial/Natural Landscape, Aguia

Paris Market Lab  (competition)

Rooftops-Why Not?  (competition)

CoWorking Building  (competition)

December 25, 2011

DIGITAL MEDIA IN ARCHITECTURAL DESIGN | FIRST SEMESTER

by yannis zavoleas

Instructors: Yannis Zavoleas (coordinator), Vasilis Stroumbakos, Demetri Zisimopoulos, Vasili Patmios-Karouk, Nancy Psaraki, Natassa Kantidaki, Anna Chartofili.

Location: School of Architecture, University of Patras.

Years: 2008-10.

Theme subject: Analysis – Synthesis. Principles of architectural design with the aid of digital technologies.

Short description

The course aims at developing the ability to conceptual thinking, also to comparative research and experimentation in architectural design by exploiting the potentials of computer systems. The computer is introduced as an advanced medium that is also symbolic of the analytic operations it supports. In such, operations with the computer interfere with perception and spatial experience being understood as an aggregate of information. This introduction helps to nurture the critical framework upon which expressive processes related to presentation, representation, rendering and communication, take place.

Architectural design is about the analysis and the reformation of information invested in architectural elements, in order to create new spatial experience. In such, the dipole analysis/synthesis describes schematically two opposite processes. The computer is used as a medium and as a referent to methods first applied onto the material object, then onto its projection to image and drawing, giving emphasis to the reduction of its form and its aesthetics to the structural relationships lying low.